MusicCoInternational
Phone: +44 (0) 20 8542 4866
Fax: +44 (0) 20 8542 4854
E-Mail: info@musiccointernational.com
Website: www.musiccointernational.com
Acclaim
"first-rate plaing throughout" * * * * Read More...
Andy Gill, The Independent
"a real discovery ... The performances by Ensemble Epomeo are beyond praise ... Genuine buried treasure here." Read More...
Phillip Scott, Limelight
"superb control...considerable artistry...breathtaking ensemble" Read More...
David Shengold, Time Out New York
"a sumptuous account of the world's first great opera" Read More...
Stephen Pettitt, The Sunday Times
"the most beguiling Monteverdi opera recording for years." ***** Read More...
Richard Morrison, The Times
"The latest release from Augustin Hadelich and Pablo Sainz Villegas is hot!" Read More...
John Clare, Texas Public Radio
"Hadelich knocked it out of the park" Read More...
Sarah Bryan Miller, St. Louis Post Dispatch
"the conducting of Harry Bicket, who knows better than anyone how to make a modern orchestra understand baroque music ... made for 4½ hours (including intermissions) of musical and theatrical bliss ... The evening was paced with superb sensitivity by Mr. Bicket" Read More...
Heidi Waleson, The Wall Street Journal
"under the baton of Harry Bicket the musical realization, all four-and-a-half hours of it, is superb" Read More...
Judith Malafronte, The Classical Review
"members of the opening-night audience rose to their feet after midnight to give an exuberant ovation to the excellent cast, headed by the countertenor David Daniels in the title role and the coloratura soprano Natalie Dessay as Cleopatra, and the excellent conductor Harry Bicket" Read More...
Anthony Tommasini, The New York Times
"Nicholas Phan, singing with a mix of sweet sound and impetuous temperament, was excellent in the dramatic recitatives" Read More...
Anthony Tommasini, The New York Times
"The splendid 25-member ensemble, with Mr. Bicket leading from the harpsichord, brought pungent clarity and rhythmic swing to this 1720 score, a classic Handel cornucopia of varying moods and characters." Read More...
Heidi Waleson, The Wall Street Journal
"the fine period-instrument band English Concert deftly conducted from the harpsichord by Harry Bicket ... magnificently rendered ... nothing but gorgeous." Read More...
James R. Oestreich, The New York Times
"supremely approachable, engaging music, and sweetly played ... buy this disc and experience them for yourself. Eloquent performances in glowing sound." Read More...
Graham Rickson, TheArtsDesk.com
"a performance to keep up with – a dynamic, rip-roaring dash through the score, but with shape and nuance too" Read More...
Erica Jeal, The Guardian
"the scale of this performance manages a robust energy of the concert hall fused to the musing interiority of the salon, quite a sophisticated achievement" * * * * Read More...
Gary Lemco, AudiophileAudition.com
The Best Classical Music Recordings of 2012 Read More...
James R. Oestreich, Anthony Tommasini, The New York Times
Jeannette Sorrell leads the acclaimed Baroque ensemble Apollo's Fire. Their new holiday disc imagines a vesper service combining chant, dance, and Celtic carols. Read More...
Julie Amacher, Minnesota Public Radio - New Classical Tracks
"an artist to watch out for ... sensitivity that maintained an acutely tasteful sense of tone and scale ... Alexandra Silocea proved her Mozartian credentials with phrasing of supreme elegance" * * * * * Read More...
Evan Dickerson, bachtrack.com
"Inon Barnatan’s most recent album, 'Darknesse Visible,' is intelligent and moving ... Mr. Barnatan’s recital on Thursday evening brought the 'Darknesse Visible' program to thrilling life." Read More...
Zachary Woolfe, The New York Times
"stunning" Read More...
Craig Zeichner, Ariama.com
"An unqualified great night at the Met ... Harry Bicket elicited an excellent performance from orchestra and chorus." Read More...
David Shengold, Gay City News
"Bicket is a rarity among Baroque specialists, able to endow even ordinary orchestras with that elusive early-music snap and swing" Read More...
Zachary Woolfe, The New York Times
"a gorgeous collection" Read More...
Jens Laurson, Listen
"lovingly prepared" Read More...
Daniel Felsenfeld, Listen
"a charming musical mulligan stew" Read More...
Sarah Bryan Miller, St. Louis Post Dispatch
"a poignant and exhilarating performance ... an engaging display from such a meticulous performer" Read More...
Ronni Reich, Star-Ledger
"This 'Tito' was more than the sum of its excellent parts, thanks to the imaginative and vigorous conducting of Harry Bicket" Read More...
James Jorden, New York Post
“elegance and efficacy” that Bicket “elicited from the Met cast, chorus and orchestra” Read More...
Steve Smith, The New York Times
"one of the great solo-vocal albums of the year" Read More...
John Terauds, Musical Toronto
"Harry Bicket conducts the orchestra in a propulsive, shapely performance" Read More...
Associated Press
"profundity ... reverent care and finesse ... extraordinary delicacy ... incisive ... revelation" * * * * * Read More...
Ivan Hewett, The Daily Telegraph
"ably navigated by Luiza Borac ... the premiere recording of [Lipatti's] five-part 'Fantasie' demonstrates the range and intelligence ..." * * * * Read More...
Andy Gill, The Independent
"the young South African makes light of its technical rigours ... Pienaar skates with brilliant insouciance through tantalisingly brief prestos ... while giving due weight and depth to the slowest sections." Read More...
Hugh Canning, The Sunday Times
"striking ... atmospheric live recording" Read More...
Paul Driver, The Sunday Times
"Tilson Thomas drives his orchestra through the teeming sounds with tremendous vigour" Read More...
Geoff Brown, The Times
"not to be missed" Read More...
George Pratt, BBC Music Magazine
"In every way this is a fantastic disc"

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Steve Arloff, MusicWebInternational.com
"the wonderful performances are matched by the recorded quality ... Barnatan is moving into the world-class arena ... he can already be counted as one in the top echelon" Read More...
Harrington, American Record Guide
"scintillating" Read More...
Stephen Pettitt, The Sunday Times
"showstopping" Read More...
Andy Gill, The Independent
"stunning ... electrifying ... " * * * * * Read More...
Craig Zeichner, Ariama.com
"energetic ... [he] threw himself into the virtuosic solo violin part with passion ... undaunted by the technical challenges" Read More...
Corinna De Fonseca-Wollheim, The New York Times
"Vividly recorded ... Ensemble Epomeo ... play superbly" Read More...
Colin Anderson, ClassicalSource.com
"This engaging journey, whether on land or on sea, proves highly successful." Read More...
Jonathan Woolf, MusicWebInternational.com
"highly persuasive" * * * * Read More...
Michael Dervan, The Irish Times
"one of the finest musicians ... piano playing of the highest
order" Read More...
Marius Dawn, Pianist
"illuminating ... a superb performance" Read More...
Joshua Kosman, San Francisco Chronicle
"Mattias Jacobsson ... has an innate feel for the music of Tárrega" Read More...
WQXR
"complete technical security ... deeply layered colouring" Read More...
John Allison, Sunday Telegraph
"a con brio performance ... The virtuosity displayed by all performers is truly impressive" Read More...
Lance Hulme, Early Music America
"Enterprising... enchanting...captivating" Read More...
BBC Music Magazine
"Khaner and his accompanist Charles Abramovic perform exquisitely" Read More...
Rebecca Schmid, MusicalAmerica.com
"As B Minor Mass performances go, this one was life-affirming in the extreme." Read More...
Charlotte Gardner, TheArtsDesk.com
"memorable ... truly unforgettable" Read More...
George Hall, The Guardian
"This was a remarkable evening. A very remarkable evening. An exceptionally remarkable evening." Read More...
Geoffrey Norris, The Daily Telegraph
"An outstanding debut" Read More...
William Yeoman, Gramophone
"The performances are outstanding" Read More...
Craig Zeichner, Ariama.com
Hadelich "tossed off the difficult technical aspects with lightness and ease" Read More...
Philippa Kiraly, The Sun Break
"a lucky-bag concept that has sure-fire winners" Read More...
Michael Dervan, The Irish Times
"I urgently recommend that you get this one." Read More...
Craig Zeichner, Ariama.com
"may well be turn out to be one of 2012’s top solo-piano releases" Read More...
Jed Distler, ClassicsToday.com
"the fluent, stylish baton of Harry Bicket ... here leading his extremely skillful English Concert" Read More...
David Shengold, Opera News
"Mr. Woods and the orchestra do a fine job of revealing the qualities of this peculiar master" Read More...
James R. Oestreich, The New York Times
"Harry Bicket drew a brisk, buoyant performance from the orchestra." Read More...
Mark Thomas Ketterson, Opera News
"Wood's finely wrought interpretation confirms his credentials - if confirmation were needed - as a symphonic conductor of stature" Read More...
Guy Rickards, Gramophone
"Bicket and the English Concert provided exemplary accompaniment throughout ... A truly unforgettable evening" * * * * * Read More...
Keith McDonnell, WhatsonStage.com
"As deep, rich, occasionally scary and thoroughly rewarding as any classical CD that's come our way in a long time ... unforgettable" Read More...
Star Tribune staff, Minneapolis Star Tribune
"A compelling, persuasive yet smaller-scale period instrument account by performers who obviously adore the music" Read More...
Mark Sealey, MusicWeb International
"Once again Avie Records gives us something to treasure from the pen of Hans Gál" Read More...
Colin Anderson, ClassicalSource.com
"an important virtuoso on the international stage" Read More...
KDFC
"a very special dedication and insight" Read More...
Colin Anderson, ClassicalSource.com
"brilliant pianist ... extraordinary playing" Read More...
Anthony Tommasini, The New York Times
"other-worldly beauty" Read More...
Murray Black, The Australian
"worth every music-lovers attention" Read More...
Jay Harvey, Indianapolis Star
"a singularly intelligent programme ... dazzling" Read More...
Stephen Pettitt, The Sunday Times
"Haefliger knew exactly how to integrate with the orchestra, when to apply muscle and when to demonstrate constraint." Read More...
Joe Riley, Liverpool Echo
"Technically assured, brimming with confidence and bravura, he also produced a singing tone that ranged from sweetness to emphatic assertion according to what the music needed." Read More...
Michael Dungan, The Irish Times
"ingenious new recital disc" Read More...
Joshua Kosman, San Francisco Chronicle
"superb ... enormous sensitivity and dynamism ... richly expressive artistry" Grade: A Read More...
Donald Rosenberg, Cleveland Plain Dealer
"compelling ... impressive" Read More...
Andy Gill, The Independent
"a definitive recording" Read More...
Graham Rickson, theartsdesk.com
"Woods proves in this recording to be a front rank conductor ... Highly recommended!" * * * * * Read More...
Zan Furtwangler, Audiophile Audition
"the superb Andreas Haefliger" Read More...
Robert Beattie, Seen and Heard International
"Imagination and technical firepower converge in this recital by a gifted Israeli piano virtuoso, recorded in stunning sound" Read More...
Gary Lemco, Audiophile Audition
"worth getting to know ... well-made music" Read More...
Geoffrey Norris, The Daily Telegraph
"mastery ... beautifully conveyed" Read More...
Ivan Hewett, The Daily Telegraph
"superb ... virtuosic." Read More...
Richard Morrison, The Times
"a stunning performance" Read More...
Michael Kennedy, The Sunday Telegraph
"This new recording captures [Harmonielehre's] unbridled potency" Read More...
Andy Gill, The Independent

"Tilson Thomas does both works in style."

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Michael Dervan, The Irish Times
"Played here by the excellent Orchestra of the Swan under Kenneth Woods it casts the twentieth century in a new light, one of obstinate cheerfulness and determined optimism, a refusal to be bowed by contemporary events" Read More...
Rick Jones, Words and Music
"an evening of transcendentally beautiful playing" Read More...
Edward Clark, ClassicalSource.com
"tumultuously joyful" Read More...
Stephen Pettitt, The Sunday Times
"a terrific set of Beethoven symphony recordings, to which this is a resounding conclusion" Read More...
Richard Morrison, The Times
"beautifully recorded" Read More...
Graham Rickson, theartsdesk.com
"a performance that stands up to the best" Read More...
David Patrick Stearns, The Philadelphia Inquirer
"standard-setting Beethoven" Read More...
David Patrick Stearns, The Philadelphia Inquirer
""a pianist with strong fingers, sure rhythmic control, and a cool emotional approach, who nevertheless has the capacity to play tenderly or mistily when she considers it appropriate" Read More...
David Bratman, San Francisco Classical Voice
"a gifted pianist as the peak of his powers" Read More...
Steff, Pizzicato
"aflame with dazzling music ... spirited and refined" Read More...
Lee Passarella, Audiophile Audition
"beautifully sung" Read More...
Stephen Pettitt, The Sunday Times
"Hadelich turned in a thrilling performance that might end up being one of the year's best" Read More...
Rob Hubbard, Twin Cities Pioneer Press

"clearly a virtuoso pianist"

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Scott Cantrell, Dallas Morning News
"first-class Bach superbly played and sung" Read More...
Craig Zeichner, Ariama.com
"An exceptional recital" Read More...
Melissa Lesnie, Limelight Magazine
Editor's Choice: "an excellent quartet and an exceptional pianist" Read More...
Rob Cowan, Gramophone
"fresh, rhythmically buoyant and virtuoso playing from the English Concert" Read More...
Richard Wigmore, Gramophone
"the vanguard of stimulating research-driven concepts interpreted with enthralling musicality" Read More...
David Vickers, Gramophone
"10 major events taking place between now and the end of March..." Read More...
John von Rhein, Chicago Tribune
"Born to sing Britten" Read More...
Tim Pfaff, Bay Area Reporter
"a powerfully emotive performance" Read More...
Stephan Delbos, The Prague Post
"the most gripping I've heard" Read More...
Brett Campbell, Oregon ArtsWatch
"one of the most scintillating discs of the year" Read More...
Michael Quinn, TheClassicalReview.com
"a lithe, beautiful voice ... masterful ... something to be treasured" Read More...
David Weininger, The Boston Globe
"Avie continues to bring the music of Hans Gál to light with the world premiere recording of the Third Symphony conducted by committed advocate Kenneth Woods" Read More...
Lisa Flynn, WFMT
"This stellar debut album by American tenor Nicholas Phan is a total pleasure on all fronts" Read More...
Anastasia Tsioulcas, NPR

"Harry Bicket and the players of the English Concert are hand-in-glove partners to the vocal wizardry."

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Michael Dervan, The Irish Times
"a total pleasure on all fronts ... one of the best recitals I've heard this year ... and it marks Phan's entry as an artist who must be heard." Read More...
Anastasia Tsioulcas, NPR
"this magnificent recent disc ... unfailingly beautiful ... ingenious programming" Read More...
Joshua Kosman, San Francisco Chronicle
"inspired programming" Read More...
Hugh Canning, The Sunday Times
"highly personal and brilliantly played performances" Read More...
Hugh Canning, The Sunday Times
"a stimulating calling card for Nicholas Phan, a stylish young tenor for whom great things lie ahead" Read More...
Steve Smith, Time Out New York
"an extraordinary musician" Read More...
Charles T. Downey, Ionarts
"This was the best recital I've heard this season." Read More...
Robert Battey, The Washington Post
"a selection of exceptional classical releases from 2011"
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Alex Ross, The New Yorker
For Hadelich, these are all works that recall Paris, "you can hear how they influence each other. You can hear a little bit of Debussy in Stravinsky and Poulenc" Read More...
Laurie Niles, Violinist.com
"Bicket's English Concert supplies luxury, stylish accompaniments" Read More...
Hugh Canning, The Sunday Times
"The celebrated John Wilson brings his interpretive magic to bear on these pieces ... the RLPO gently draws out every subtlety" Read More...
Anna Britten, Classic FM Magazine
"clearly the work of a Bach genius ... an emotive, beautiful performance" Read More...
Charlotte Gardner, Classic FM Magazine

"superb ... excellent all-round performance"

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Adrian Horsewood, Early Music Today

Editor's Choice: "elegant panache by The English Concert"

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Graham Lock, Early Music Today
"stimulating ... enthralling musicality" Read More...
David Vickers, Gramophone
"passion and conscientious detail" Read More...
Gary Lemco, Audiophile Audition
"a potent brew ... the pianist does them superbly" Read More...
Michael Church, The Independent
"the gifted Korean pianist ... A brave and challenging debut." Read More...
Andy Gill, The Independent
"These bleakly beautiful, sometimes satirical and stunning settings of eight Thomas Hardy poems prove ideal for Nicholas Phan, the sweet-voiced young tenor" Read More...
Anthony Tommasini, The New York Times
"the excellent Cleveland group Apollo's Fire ... a new kind of sound" Read More...
Russell Platt, The New Yorker
" one cannot overlook the musical accomplishment of the choir. They perform with refinement and distinction throughout" Read More...
John J. Puccio, Classical Candor
"fascinating" Read More...
Anna Picard, Independent on Sunday
"the 25-year-old pianist is heading in only one direction..." Read More...
Sarah Kirkup, Gramophone
CD of the Week Read More...
Alex Ross, therestisnoise.com
"graceful, mellifluous ... sharp intelligence, poetic insight and a confident individuality ... exquisitely artful." Read More...
Stephen Pettitt, The Sunday Times
"on impeccable form" Read More...
George Hall, The Guardian
"Throughout the night one joy was constant: the ensemble spirit and iridescent colours of the English Concert, directed by Harry Bicket." Read More...
Geoff Brown, The Times
"The tenor Nicholas Phan says that he's as American as dim sum and souvlaki." Read More...
Brian Wise, WQXR
"what tunes! ... A fascinating venture." Read More...
James R. Oestreich, The New York Times
"The Camerata play with distinction under the intelligent shaping of Douglas Boyd" Read More...
Stephen Pettitt, The Sunday Times
"Gál is truly worth rediscovering ; Woods's recording project for Avie has intrigued and delighted me and I'm only left wanting more." Read More...
Andrew Mellor, Classic FM Magazine
"a committed performance of a work that grows on me with each hearing ... warmly recommended." Read More...
Guy Rickards / Andrew Mellor, Gramophone
"sheer fun ... plenty of exhilarating swagger when required ... sensational" Read More...
Graham Rickson, theartsdesk.com
"an arresting release ... luminous interpretive vision" Read More...
Jay Harvey, Indianapolis Star
"Avie continues its outstanding work on behalf of the music of Hans Gál ... a performance demanding to be heard" Read More...
Colin Anderson, ClassicalSource.com
"Avie continues its outstanding work on behalf of the music of Hans Gál ... a performance demanding to be heard" Read More...
Colin Anderson, ClassicalSource.com
"Graceful, lyrical, eminently tasteful" Read More...
Gary Lemco, Audiophile Audition
"A most intriguing and rewarding disc!" Read More...
Victor Carr, Jr., ClassicsToday.com
"dream team ... Petrenko delivers terrific pace and imagination, combining drama and sensitivity ... [Trpceski] can dance and dream, cry and console to the demands of the music with subtlety and style." Read More...
Jane Jones, Classic FM Magazine
"Avie Records operates a unique business model based on artist ownership..." Read More...
IODA, IODA
"thrusts the instruments forward, starting with Ms. Sorrell's harpsichord. The women and, eventually, men sing beautifully" Read More...
James R. Oestreich, The New York Times
"Kenneth Woods leads performances both authoritative and generously expressive" Read More...
Scott Cantrell, Dallas Morning News
"another cracking collection of concertos, and the variety is gripping" Read More...
Jonathan Wikeley, The Classical Review
"animation, resilience, good sense, and passion ... a winning combination." Read More...
John J. Puccio, Classical Candor
"hats off to conductor Kenneth Woods and his Orchestra of the Swan ... Here's hoping this is the beginning of a substantial Gal revival." Read More...
Tom Huizenga, National Public Radio - All Things Considered
"presses the right buttons in terms of wisdom, wonder, resignation and regret ... Highly recommended" Read More...
Peter Reed, ClassicalSource.com
"excellently packaged and delivered ... first-class" Read More...
Stephen Pettitt, The Sunday Times
"swoonsome and stately" Read More...
Andy Gill, The Independent
"everything here played to a crack standard ... this is the least hackneyed Vivaldi program I've seen in some time" Read More...
Michelle Dulak Thomson, San Francisco Classical Voice
"elegant style and daunting technique" Read More...
John Fleming, St. Petersburg Times
"a savvy interpreter ... luminous playing" Read More...
Edward Ortiz, Sacramento Bee
"enlightening ... memorable" Read More...
John J. Puccio, Classical Candor
"outstanding ... captivating ... perfection ... a meeting of dazzling musical minds." Read More...
Hugh Canning, The Sunday Times
a "beautifully judged and articulated performance" Read More...
Anna Picard, Independent on Sunday
"This disc is really very special." Read More...
David Kettle, The Strad
"Latham-Koenig certainly rouses his Strasbourg players to alternately silken and impassioned heights ... Remarkably clean-sounding this disc, refreshed in its sonics enough to warrant audiophiles to hear it" Read More...
Gary Lemco, Audiophile Audition
"a scorching performance ... a brilliant collaboration." Read More...
Craig Zeichner, Ariama
"just plain fun" Read More...
Julie Amacher, Minnesota Public Radio: New Classical Tracks

A very pretty lady plays very pretty music for the harp, much of it fit for -- a Queen.

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Gary Lemco, AudiophileAudition
"utterly compelling" Read More...
Geoffrey Norris, The Daily Telegraph
Conductor Kenneth Woods explains his passion for championing the music of Hans Gál as he embarks upon a project to record all four symphonies for Avie. Read More...
Colin Anderson, TheClassicalReview.com

Tune in throughout the week for tracks from KDFC's CD of the Week

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KDFC, KDFC
"neat ... nimble and well-turned" Read More...
Michael Dervan, The Irish Times
James Jolly talks to pianist Alexandra Silocea about her first disc of Prokofiev Piano sonatas for Avie records. Read More...
Martin Cullingford, Gramophone
"this CD could be his entrée into the big time" Read More...
Mark Swed, Los Angeles Times
"Bicket knows both the material and the Sellars way intimately, and he transforms the Lyric Orchestra into a style-appropriate ensemble." Read More...
Andrew Patner, Chicago Sun-Times
"Bicket leads the orchestra in a spirited performance that brings out the melancholy beauty of the score, as well as Handel's edgy, almost dissonant harmonies." Read More...
Mike Silverman, Huffington Post
"reunites Sellars with the British Baroque specialist Harry Bicket following their celebrated collaboration on Handel's "Theodora" at Glyndebourne ... The chamber orchestra plays immaculately under the conductor's 's stylish direction" Read More...
John von Rhein, Chicago Tribune
"a bright, effortless performance ... delivered with absolute clarity, accuracy and little sign of effort." Read More...
David Fleshler, Classical Review

"Some of the music just seems to come from another planet."

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John von Rhein, Chicago Tribune

The director of La Serenissima on the world premiere recording of Vivaldi's Il Gran Mogol

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Rebecca Franks, Classical-music.com

"the orchestra was excellent, and the soloist out of this world."

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Sam Smith, MusicOMH
"Superb... This is a must-have album." Read More...
William Yeoman, Gramophone
"triumphant, a vigorous expression of Mozart's bright composition" Read More...
Jon W. Sparks, The Commercial Appeal
"outstanding poise and poignancy" Read More...
Anna Picard, Independent on Sunday
"The Brook Street Band plays stylishly, with well-nigh impeccable intonation and tremendous verve ... Delightful" Read More...
George Pratt, BBC Music Magazine
"this performance by the English Concert under Harry Bicket could not have been bettered" Read More...
John-Pierre Joyce, www.classicalsource.com
"The English Concert under Harry Bicket did a beautiful job" Read More...
Igor Toronyi-Lalic, theartsdesk.com
"There are many reasons not to miss the production" ... Bicket "drew an insightful, urgent performance ... [he] brought his authoritative knowledge to the entire project." Read More...
Anthony Tommasini, The New York Times
Augustin Hadelich surpassed expectations ... in his Jones Hall debut with the Houston Symphony Read More...
Everett Evans, Houston Chronicle
"one of the pre-eminent period-instrument ensembles, causing one to hear familiar baroque material anew" Read More...
Andy Gill, The Independent
"This is a very special recording" Read More...
Jason Victor Sirinus, San Francisco Classical Voice
"galvanizing ... elegance and fire" Read More...
Allan Kozinn, The New York Times
"the finest so far ... exquisite" Read More...
David Cairns, The Sunday Times

"the finest American art song composer of his generation"

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John von Rhein, TheClassicalReview.com
"the all-male vocal quartet has relied on grassroots networking, innate talent and old-fashioned luck to become, in just four years, one of this country's best-known early-music groups" Read More...
Kyle MacMillan, The Denver Post
A wonderful recital of music by an unabashed romantic, sung to perfection by some of the world's greatest artists Read More...
Steven Ritter, AudiophileAudition
"boisterous attacks, daringly elastic phrasing, extravagant ornamentation and even some drumming on the double-bass" Read More...
Joe Banno, The Washington Post
"plenty to recommend" Read More...
Allan Kozinn, The New York Times
"a knockout punch" Read More...
Charles Downey, Ionarts
Jake Heggie's own fluent piano playing supports world-class singers Read More...
Anthony Burton, BBC Music Magazine
"compelling ... resplendent ... exultant" Read More...
Stephen Pettitt, The Sunday Times
"in the studio ... making her debut recording" Read More...
Gramophone
"a rare breed ... clearly heading straight to the top of the career ladder" Read More...
Gramophone
"Heggie instinctively 'gets' the music of words and through melody ... carries the emotional memory of a moment, a connection, a feeling, forward" Read More...
Edward Seckerson, Gramophone
"the Midwest's best kept musical secret" Read More...
Anna Picard, Independent on Sunday
"Mozart at his cuddliest and most approachable" Read More...
Graham Rickson, theartsdesk.com
"refined touch and a beguiling sense of Schubertian style" Five Stars Read More...
Geoffrey Norris, The Daily Telegraph
"There's always an electric jolt about Huggett's gut-stringed violin..." Read More...
Geoff Brown, The Times
Apollo's Fire - a tireless front-runner among America's finest Baroque orchestras - is set to make its first transatlantic tour culminating in a concert at London's Wigmore Hall on 30th November 2010. Read More...
Edward Seckerson, The Independent
Wednesday's [Seattle Symphony] audience, encouragingly diverse in age, leapt to its collective feet in vociferous applause for Augustin Hadelich's performance of the Beethoven Violin Concerto ... [he] deserved the cheers. Read More...
Bernard Jacobson, Seattle Times
The audience was nothing short of enthralled. Read More...
Philippa Kiraly, The Gathering Note
"this swaggering version ... more than holds its own against the competition ... brilliantly played" Read More...
Stephen Pettitt, The Sunday Times (London)
Augustin Hadelich is the most recent torchbearer for the prestige of the International Violin Competition of Indianapolis Read More...
Jay Harvey, Indianapolis Star
Italian Baroque instrumental music is much more than Vivaldi's Four Seasons. In "Flights of Fancy," violinist Monica Huggett and members of the Irish Baroque Orchestra capture the remarkable diversity and sometimes outlandish color of this era in music. Read More...
WQXR

Amazing and beautiful

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Cho-Liang Lin, San Diego Union-Tribune

Jon Lord's most recent recording, "To Notice Such Things," features several classical miniatures and a suite for flute and string orchestra written in memory of a dear friend, Sir John Mortimer.

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Julie Amacher, Minnesota Public Radio
Beautifully performed ... Read More...
Tully Potter, The Daily Mail

Nothing short of spectacular in every way

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Steven Ritter, Audiophile Audition
Simon Trpceski "proved himself a master of Chopin's subtle shock tactics ... it was impossible to remain unswayed by Mr. Trpceski's careful consideration and thoroughness". Read More...
Steve Smith, The New York Times
Hadelich played the solo part with complete mastery, a creamy tone and grand expression...For an encore Thursday, he played Paganini's spirited Caprice No. 17 with an effortless musicality that here confirmed reports of an important career in the making. Read More...
Mark Swed, Los Angeles Times

The young violinist, who made his Hollywood Bowl debut in 2008 as a last-minute substitute, will play the Mendelssohn concerto Thursday.

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Richard S. Ginell, Los Angeles Times
Hadelich's triumph at the Hollywood Bowl in 2008 helped him get a return engagement Read More...
Richard S. Ginell, Los Angeles Times
a most attractive set ... excellent value Read More...
Antony Hodgson, classicalsource.com
"he easily confirmed his place on the shortlist of today's top violin virtuosos" Read More...
Sabine Kortals, Denver Post
"Brazilian cellist Antonio Meneses and the Northern Sinfonia offer a full palette of exhilarating works to revive the spirit." Read More...
Julie Amacher, Minnesota Public Radio
Composer and producer Tolga Kashif has finished recording his latest work, The Genesis Suite Read More...
Classic FM
La Serenissima "plays Vivaldi as vividly and freely as jazz" Read More...
WQXR

Antonio Meneses "takes his place among the greats"

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Hugh Canning, The Sunday Times (London)
"Adrian Chandler and La Serenissima make a convincing case on Vivaldi's behalf. By bringing to light some of Vivaldi's rarely heard concertos, this period-instrument ensemble helps to prove that he was one of the most original and innovative composers of th...e Baroque era. Their performances are nimble and exhilarating, fit for "Gods, Emperors and Angels," or for regular folks like the rest of us." Read More...
Julie Amacher, Minnesota Public Radio

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