— Craig Zeichner,
Ariama.com
|
Hadelich "tossed off the difficult technical aspects with lightness and ease" Read More...— Philippa Kiraly,
The Sun Break
|
"a lucky-bag concept that has sure-fire winners" Read More...— Michael Dervan,
The Irish Times
|
— Craig Zeichner,
Ariama.com
|
"the fluent, stylish baton of Harry Bicket ... here leading his extremely skillful English Concert" Read More...— David Shengold,
Opera News
|
"Mr. Woods and the orchestra do a fine job of revealing the qualities of this peculiar master" Read More...— James R. Oestreich,
The New York Times
|
"Harry Bicket drew a brisk, buoyant performance from the orchestra." Read More...— Mark Thomas Ketterson,
Opera News
|
"Wood's finely wrought interpretation confirms his credentials - if confirmation were needed - as a symphonic conductor of stature" Read More...— Guy Rickards,
Gramophone
|
"may well be turn out to be one of 2012’s top solo-piano releases" Read More...— Jed Distler,
ClassicsToday.com
|
"Bicket and the English Concert provided exemplary accompaniment throughout ... A truly unforgettable evening" * * * * * Read More...— Keith McDonnell,
WhatsonStage.com
|
"As deep, rich, occasionally scary and thoroughly rewarding as any classical CD that's come our way in a long time ... unforgettable" Read More...— Star Tribune staff,
Minneapolis Star Tribune
|
"A compelling, persuasive yet smaller-scale period instrument account by performers who obviously adore the music" Read More...— Mark Sealey,
MusicWeb International
|
"Once again Avie Records gives us something to treasure from the pen of Hans Gál" Read More...— Colin Anderson,
ClassicalSource.com
|
"an important virtuoso on the international stage" Read More...— KDFC
|
— Colin Anderson,
ClassicalSource.com
|
— Anthony Tommasini,
The New York Times
|
— Murray Black,
The Australian
|
— Jay Harvey,
Indianapolis Star
|
"a singularly intelligent programme ... dazzling" Read More...— Stephen Pettitt,
The Sunday Times
|
"Haefliger knew exactly how to integrate with the orchestra, when to apply muscle and when to demonstrate constraint." Read More...— Joe Riley,
Liverpool Echo
|
"Technically assured, brimming with confidence and bravura, he also produced a singing tone that ranged from sweetness to emphatic assertion according to what the music needed." Read More...— Michael Dungan,
The Irish Times
|
— Joshua Kosman,
San Francisco Chronicle
|
"superb ... enormous sensitivity and dynamism ... richly expressive artistry" Grade: A Read More...— Donald Rosenberg,
Cleveland Plain Dealer
|
— Andy Gill,
The Independent
|
— Graham Rickson,
theartsdesk.com
|
"Woods proves in this recording to be a front rank conductor ... Highly recommended!" * * * * * Read More...— Zan Furtwangler,
Audiophile Audition
|
— Robert Beattie,
Seen and Heard International
|
"Imagination and technical firepower converge in this recital by a gifted Israeli piano virtuoso, recorded in stunning sound" Read More...— Gary Lemco,
Audiophile Audition
|
— Geoffrey Norris,
The Daily Telegraph
|
— Ivan Hewett,
The Daily Telegraph
|
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