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EDITOR'S CHOICE: Russian rhapsody * * * * *
Rachmaninov Piano Concertos Nos. 1 and 4, Rhapsody on a Theme of Paganini
Simon Trpceski, piano
Vasily Petrenko, Royal Liverpool Philharmonic Orchestra
Rachmaninov Piano Concertos Nos. 1 and 4, Rhapsody on a Theme of Paganini Simon Trpceski, piano Vasily Petrenko, Royal Liverpool Philharmonic Orchestra
Avie Records

The Music Sometimes dismissed as "the others", the first and last of Rachmaninov's piano concertos might be less familiar than his two blockbusters, but they represent his musical transition from Imperial Russia to downtown Hollywood.

The Performance Pianist Trpceski relishes Rachmaninov, thrilling his audience with virtuosic passages whcih easily demonstrate why these pieces in particular were important vehicles for Rachmaninov the exiled pianist. Petrenko maintains timing and tension, whilst never allowing lush lyricism to become stodgy or overwhelming. The Paganini Variations are delivered with both wit and warmth, with a strong melodic line. In fact, all three works sound fresh, dynamic and vital.

The Verdict Already attracting labels like "dream team", this is a musical combination which works superbly, and this much anticipated follow up to their earlier Rachmaninov recording demonstrates a fabulous level of skill, artistry and appreciation.

WANT MORE? Trpceski's and the RLPO's first Rachmaninov CD is dazzling. (Avie, AV 2192)

WHY YOU'LL LOVE THIS

TOPS AND TAILS So you've got 2 and 3? Complete the set to get an insight into the beginning and end of an extraordinary career from a teenager's student concerto to the game playing of the mature, world-aware composer.

BRILLIANCE AND BALANCE From the opening fanfare, the orchestra declares its intentions and Petrenko delivers terrific pace and imagination, combining drama and sensitivity. A delicately balanced, involving sound provides Trpceski with the perfect platform.

SUPER SOLOIST Trpceski is honest, direct and fully committed to every note, bringing a sharp clarity to his performances. He can dance and dream, cry and console to the demands of the music with subtlety and style."

Jane Jones, Classic FM Magazine
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