[one] "of the most exciting events I have experienced during a reviewing career approaching half a century" Read More...— Christopher Morley,
Birmingham Post
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— Corinna da Fonseca-Wollheim,
The New York Times
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"the premiere of Mr. Lang’s “mystery sonatas,” a work of nearly 40 minutes for solo violin performed stunningly by the brilliant young violinist Augustin Hadelich" Read More...— Anthony Tommasini,
The New York Times
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"pitch perfect intonation ... clear phrasing ... sheer bravura" Read More...— Holly Harris,
Winnipeg Free Press
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"the apex of the evening ...an astounding array of technical capabilities and dead-on-target intonation in a work that is rife with both technical demands and great opportunities for the soloist to make the violin sing" Read More...— Mark Gresham,
Arts ATL
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"a memorable recital ... adventurous in his choice of repertory ... surprising musical resonances, contrasts and connections between these works came through vividly ... the level of playing was superb" Read More...— Anthony Tommasini,
The New York Times
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"A wonderful recital ... Andreas Haefliger's shading and phrasing proved just as impressive as that of his colleague" Read More...— Mark Berry,
Seen and Heard International
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Another Vivaldi album? When they are good as this, yes! **** Read More...— Steven Ritter,
Audiophile Audition
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Frank "Almond plays as if his fiddle's life was on the line - in his hands, the Lipinski flourishes and shines in notes spun out with casual virtuosity and graceful poetry." Read More...— Laurence Vittes,
Strings
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"Adrian Chandler ... has done a marvellous job with La Serenissima, who speak with one voice - there can be very few groups to rival the passion of their performances and innovative ingenuity of programming. Bravo!" Read More...— Brian Clark,
Early Music Today
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"Throughout, the singing and playing are beautifully articulated" Read More...— Stephen Pettitt,
The Sunday Times
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"vibrant, keenly inflected, and very well played indeed" Read More...— Michelle Dulak Thomson,
San Francisco Classical Voice
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— Gary Lemco,
AudiophileAudition.com
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"A worthy reference recording ... easy to recommend without hesitation on every count" Read More...— Mark Sealy,
Classical.net
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"The result is quite lovely ... hugely enjoyable" Read More...— Stephen Unwin,
Daily Express
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"absolutely superb ... British Baroque performance at its best" Read More...— James Manheim,
AllMusic.com
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— Michael Jameson,
International Record Review
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"Haefliger is a real partner in every sense of the word, anticipating and supporting the singer in ways that allow the voice to glide with an effortless lyricism" Read More...— Steven Ritter,
AudiophileAudition.com
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"one of the most beautiful violin voices of his generation" Read More...— Tom Huizenga,
National Public Radio
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— Graham Rickson,
TheArtsDesk.com
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"power in the cascades ... I enjoyed a great deal" Read More...— Andrew McGregor,
BBC Radio 3 - CD Review
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"the astounding violinist Augustin Hadelich, who has distinguished himself time and again as one of the great musicians of our day" Read More...— Charles T. Downey,
Ionarts
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"an engaging approach ... a richness well-suited to this robust and sunny piece ... poetry and spontaneity" Read More...— Anne Midgette,
Washington Post
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"Kenneth Woods gives a powerful account of Schumann’s Symphony No. 4 and captivates with a very strong version of Hans Gál’s Second" Read More...— Remy Franck,
Pizzicato
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— Julian Haylock,
The Strad
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"thoroughly researched and reimagined ... miraculous" Read More...— Nicholas Kenyon,
The Observer
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— Andy Gill,
The Independent
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"Hadelich bowls over the crowd with Dvorák" ... receives "thunderous ovation" Read More...— Catherine Reese Newton,
The Salt Lake Tribune
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"a real discovery ... The performances by Ensemble Epomeo are beyond praise ... Genuine buried treasure here." Read More...— Phillip Scott,
Limelight
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